Yesenin powder analysis briefly. Analysis of the poem "Porosh" by Yesenin. Means of artistic expression
(Illustration: Gennady Tselishchev)
Analysis of the poem "Powder"
Poet's open heart
Sergei Yesenin is a well-known and beloved Russian poet who sang the beauty of his native land, its nature and endless expanses. The lines of his works are easy to remember and evoke the most vivid feelings. In the poem "Powder", the author very skillfully describes the winter season: trees covered with white clothes, a winter road covered with dry and fresh, light snow like a shawl.
Yesenin sincerely, like a child, admires the winter landscape in the forest. He very gently and reverently conveys in his poem a picture of a winter forest. He calls winter invisible, who did a very good job and dressed everything around in a white outfit. She tied a scarf around a pine tree, which made it bend and look like an old woman leaning on a stick. And the road turned into a white ribbon, ringing under the hooves. Everything around is shrouded in white snow and sweetly fell asleep in a lovely dream, finding itself in a beautiful fairy tale.
To make the winter landscape unusual and mysterious, the author uses unusual sounds that break the original silence. Listening to the silence, the poet notes that the crackling of snow under the hooves of horses is so loud that it can be heard very far away, it seems “like gray crows screaming in the meadow.” And the woodpecker, sitting under the “very crown” of the Christmas tree, like an old woman, knocks very loudly, looking for something important.
Yesenin was able to see in the usual picture of a winter road, so interesting and mysterious things and very naturally and easily convey this in verse. In order to describe ordinary winter nature in such a sensual and colorful way, you really need to let this beauty through yourself, feel its charm and pour out all the depth of charm in verse, choosing wonderful words for each element of the landscape.
Yesenin was very fond of nature, and she revealed her depths to him, showed her the most beautiful landscapes, filled his soul and inspired. The poet is open to nature, his heart is ready to perceive and accommodate her beauty, and she was fully revealed to him. He retained in his heart such a unity with nature, which is inherent in a person in childhood, which is why his lines are so sweet, simple, and the comparisons are so accurate.
refuting the main idea .. Everyone who has ever thought about something knows that we do not always, I would even say, very rarely think in words. We think in images, sensations, ideas, which we then more or less helplessly try to express words. Thinking and expressing your thoughts are far from the same thing.
what is the main idea of the test??? Somehow he pulled them on his paws and lifted his beak: - Here I am! .. We flewin the morning the birds go to work: collect bugs, spiders and midges in the forests and fields. The rook stayed at home. - Let's fly with us! - shouted the birds, flying past. - Fly, fly! Grach answered them. - Don't you see that I'm wearing white gloves? I can’t mess them up! Birds have accumulated in the forests and in the fields, they themselves ate their fill, flew home to feed the chicks. - And me? shouted Grach. - Feed me! I am hungry! Haven't eaten anything all day! - How are you going to eat in white gloves? You'll get them dirty! - And you put it right in my mouth - I'll chew it! - Well, no! the birds answered. - You are no longer a chick! You are already wearing white gloves! The birds scattered to their nests, before going to bed they sang songs and went to sleep. And the Nightingale the Nightingale, he sang like that even at night - he worked so well for the day. Only the Rook and the old Owl did not sleep. The eagle owl was catching mice, and the Rook was tossing and turning in the nest. He tossed and turned, and then he took and ate one white glove. Hunger is not an aunt! to
Hello everyone, please help with Russian! Most of my communication with Gorky took place in an almost rural setting, when the natural characterman is not obscured by the circumstances of city life. His day started early: he got up at eight in the morning and, after drinking coffee and swallowing two raw eggs, he worked without interruption until one in the afternoon. Lunch was supposed to be at one o'clock, which, with after-dinner conversations, stretched out for an hour and a half. After that, Gorky began to be dragged out for a walk, from which he avoided in every possible way. After the walk, he again rushed to the desk - until seven o'clock in the evening. The table was always large, spacious, and writing materials were laid out in perfect order on it. Alexey Maksimovich was a lover of good paper, multi-colored pencils, new nibs and pens - he never used the stylus. There was also a supply of cigarettes and a motley set of mouthpieces - red, yellow, green. He smoked a lot. The hours from walk to dinner were spent mostly on correspondence and on reading the manuscripts that were sent to him in myriad numbers. All letters, except the most ridiculous ones, he answered immediately. All sent manuscripts and books, sometimes multi-volume, he read with amazing attention and expressed his opinions in the most detailed letters to the authors. On the manuscripts, he not only made notes, but also carefully corrected typographical errors with a red pencil and placed missing punctuation marks. He did the same with books: with the vain persistence of the most diligent proofreader, he corrected all the typos in them. It happened - he did the same with newspapers, after which they immediately threw them away. There was dinner at seven o'clock, and then tea and a general conversation. Around midnight he retired to his room and either wrote in his red dressing gown or read in bed, which he always kept simple and tidy like a hospital. He slept little and spent ten or more hours a day at work. He did not like lazy people and had the right to do so. In his lifetime, he read a colossal number of books and remembered everything that was written in them. His memory was amazing. From the Nizhny Novgorod workshop Alexei Peshkov, who studied with copper money, to Maxim Gorky, a world-famous writer, there is a huge distance that speaks for itself, no matter how one regards Gorky's talent. It would seem that the consciousness of what has been achieved, and even in conjunction with the constant memory of the "biography" should have had a bad effect on him. This did not happen. Unlike so many, he did not pursue fame and did not languish in caring for its maintenance; he was not afraid of criticism, just as he did not feel joy from the praise of any fool or ignoramus; he did not look for reasons to make sure of his fame, perhaps because she was real, and not exaggerated; he did not suffer from swagger and did not play, like many celebrities, a spoiled child. I have not seen a man who would carry his glory with more skill and nobility than Gorky. 1) Title the text, 2) write what is the main idea of this text THANKS IN ADVANCE!
Each poet has poems that are classified as landscape lyrical works. This is especially true for Russian poets. All of them were marked by long verses and short verses, talented and - not very ... But the predominant emotion in each such work is admiration, on the verge of delight, caused by the beauty of the nature of the middle zone. A field, a foggy meadow, an endless expanse of steppe and, of course, a forest. Forest of two seasons, most beloved by Russian poetry: autumn and winter. Pushkin and Nekrasov, Fet and Tyutchev and, of course, a native of the masses of the people - Yesenin, all were marked with poems about Russian nature. However, this raises a very interesting point.
The most important indicator, an aesthetic indicator, one might say, that distinguishes the above poets is how they perceive the natural beauty of a winter or autumn forest. Someone simply feels admiration and loudly declares it, like, for example, Pushkin. And for some, a picture of beauty is just an excuse for philosophical and aesthetic allegories. Quite a different thing Sergey Yesenin! After reading his poems related to landscape lyrics, there is a nagging feeling of sadness and spiritual purification. They are completely devoid of the pretentiousness of beau monde poets, the movements and actions of the heroes and characters (if any) of these poems are simple and straightforward. Start listening to the poem (for example, "Powder", written in 1914) and it will captivate you from the very first lines:
I'm going. Quiet. Ringing is heard
Under the hoof in the snow.
Only gray crows
Made a noise in the meadow.
The poem is written in four-foot trochaic, giving the lines a special chant. The rhyme in "Powder" is cross.
Words become tangible and, funny sounds, smell. You can clearly hear the sound of horseshoes on the ice on the road, the smell of hay in the logs, the strong but not repulsive smell of horse sweat. In addition to the hoarse cries of crows, the breeze carries the scent of hay from a haystack by the road. Quiet ... The picture of the sleeping forest, lulled by the "invisible", is so fabulous that it awakens the imagination, painting a pine tree - an old woman in a "white headscarf" that "bent down", "leaned on a stick" (colloquies used Yesenin).
Bewitched by the invisible
The forest slumbers under the fairy tale of sleep.
Like a white scarf
The pine has tied.
By the way, the entire 2nd quatrain is an example of perfect alliteration, with its predominance of consonants (C)
Bent over like an old lady
Leaned on a stick
And under the very crown
The woodpecker hammers at the bitch.
In addition to juicy visual images, the very expressive tonic of the poem also captivates: ringing, crow's crows and a woodpecker's machine-gun trill.
From Yesenin's poem "Powder" a powerful wave of magnetism emanates, which is inherent precisely in the Russian mentality. The inescapable call of the road, hidden deep under a bushel. When a Russian person embarks on a journey, he experiences an inexplicable, some kind of primordially intoxicating delight in front of the road. Hence the last lines:
The horse gallops, there is a lot of space.
Snow falls and spreads a shawl.
Endless road
Runs off into the distance
like a takeoff after a run that slowly began at the very beginning of a magnificent poem by Sergei Yesenin. Everything is here - and the space, pushing the limits of being and consciousness. Here is the endless road-idea fix of the Russian consciousness. The road, covered like a white fluffy shawl with powders of snow.
Dissolution in the surrounding nature, the feeling of being a particle of this nature is characteristic only of refined natures. And who can achieve the highest degree of refinement? Well, of course, only a poet and, most likely, a Russian poet, which is Sergei Yesenin, who once again proved his genius in a poem "Powder".
I'm going. Quiet. Ringing is heard
Under the hoof in the snow.
Only gray crows
Made a noise in the meadow.
Bewitched by the invisible
The forest slumbers under the fairy tale of sleep.
Like a white scarf
The pine has tied.
Bent over like an old lady
Leaned on a stick
And under the very crown
The woodpecker hammers at the bitch.
The horse gallops, there is a lot of space.
Snow falls and spreads a shawl.
Endless road
Runs off into the distance.
Yesenin Porosha analysis of the poem according to plan
1. History of creation. The poem "Powder" refers to the early period of Yesenin's work. The poet included it in the alleged collection of poems for children "Zaryanka", which was never published during the life of Yesenin.
2. Genre of the poem- landscape lyrics.
3. Main theme works - the beauty of the winter landscape. At the time of writing the poem, Yesenin had been living in Moscow for two years. He was still annoyed by the noisy city life. In his dreams, the poet was constantly carried away to his native, quiet and calm lands.
The lyrical hero takes a ride on a horse. The picture of winter nature fascinates him. The majestic silence is broken only by the sound of hooves and the cries of crows. Nothing in nature reminds of human fuss. Gradually, in the imagination of the lyrical hero, reality merges with fiction. The memory awakens memories of fairy tales that Yesenin heard in childhood from his grandmother.
"Sleep Tale" transforms the entire surrounding landscape. In such an atmosphere, it is not difficult to believe in the existence of magic. An ordinary pine tree is presented in the form of a woman who puts on a "white scarf". Although the twisted tree is more like an "old woman" who cannot stand without her "stick". From the fantasy world of the lyrical hero, the monotonous knock of a woodpecker sitting on top of a pine returns.
The last quatrain contains certain philosophical thoughts of the young poet. Even N.V. Gogol represented Russia in the form of a frantically racing troika of horses. Russia is traditionally associated with boundless and immense fields and forests (“there is a lot of space”), which are covered with snow for almost half of the year.
Another traditional folk image is the "endless road" going beyond the horizon. Even today in Russia there are vast territories where only the road reminds of a person. During a long journey, reflections about the mystery of the Russian soul involuntarily arise. Russia has incredible natural resources, but for some reason they are still not fully used by the Russian people.
4. Composition of the work consistent. Four stanzas stand out clearly.
5. The size of the poem- three- and four-foot trochee; cross rhyme.
6. Expressive means works: epithets ("gray", "white", "endless"); metaphor (“runs away with a ribbon into the distance”), personifications (“the forest is dozing”, “tied up”), comparisons (“like a white scarf”, “like an old woman”). The work creates a feeling of complete presence. The presence of a lyrical hero is indicated by only one verb at the beginning: "I'm going."
7. Main idea poems. Yesenin believed that children best understand and feel the beauty of nature. In children's minds, a clear boundary has not yet been drawn between dream and reality. The poem "Powder" is a vivid example of such direct perception.
Almost every Russian poet has works in which landscape paintings are presented to the reader. Yesenin is no exception. His landscape lyrics give the reader the opportunity to contemplate the pictures of nature in reality, to think about the beautiful, admiring the beauties of the Russian land.
The verse "Powder" in the same way makes it possible to plunge into the winter forest. It was written with the help of a four-foot trochaic. Everything is described so realistically that when you read it, you feel the charm of the frosty winter air and the crunch of snow under your feet.
There are no long prefaces in this work, the author immediately talks about what is happening around, what is currently happening in his life. “I'm going. Quiet. Calls are heard. Under the hoof in the snow.
And then, immediately after a clear statement of the action, he begins to describe the forest in winter, using various literary devices. One of these is that Yesenenin uses colloquial words that are characteristic of ordinary colloquial speech. This is "bent down, tied up, leaned on." Further, the author uses comparative turns. “Like a white scarf ...”, “Bent down like an old woman ...”
All this helps, as it were, to lead the reader to the feeling of a fairy tale in the forest, to the admiration of this fabulous atmosphere, where trees come to life, birds and animals talk. What kind of sounds you will not hear in the forest. The author uses alliteration, the frequent repetition of the sound "s". When Yesenin talks about an old pine tree, he calls on assonance to help; at the beginning of the third stanza, the sound “a” is often repeated.
Reading the work "Powder", you imagine the spiritualized images of nature. Everything is described in such a way that living objects and people are before our eyes, and not an ordinary winter forest. And by this the author wants to prove once again that the main feature in the relationship between man and nature is unity.
Analysis of Porosh's poem by Sergei Yesenin
The author was very fond of describing the magnificence of his native expanses in his poems. The lines are filled with warmth, sensitivity, delight. And this is natural, because the poet had a very subtle sense of perception. He could accurately notice everything that surrounded him, paint it in such words that you read, and you wonder how everything can be beautiful and bright. His lines inspired, forced to experience moments with the poet.
Early work, including his poem "Powder", as if permeated with innocence and coolness. He writes in his lines everything that is dear to his heart from infancy. During this period of creativity, the poet increasingly begins to recall his past, where there is a sharp contrast with his present. Yesenin gets tired of the bustling Moscow, he wants solitude, peace, in the winter forest, in nature, where there is no one, where there is only silence and peace.
"Powder" is not only popular as a landscape lyric, but romanticism also manifests itself here. He characterizes Siru pine with a village old woman, and sees the forest, enchanted by the invisible, as a fabulous sleeping kingdom. “The horse is galloping, there is a lot of space. Snow is falling and a shawl is being laid,” serenity and grace are described here. The poet also paints the horse's agility very well, which brings him great happiness, and the long journey itself, makes you think and forget all your problems and hardships.
The poet could enjoy the beauty of nature for a long time, feeling his inspiration and calmness in it. He does not need the benefits of modern society, fame. And thanks to poems about nature, Yesenin gained popularity in society. Because, thanks to his poems, everyone could imagine the wondrous beauty of nature, ride horses, feel the moist damp air and be alone with himself.
Analysis of Porosh's poem according to plan